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An Evening with Jason Bowman

IMG_8758Last weekend, Lotus House of Yoga hosted Jason Bowman for his third visit to Omaha.  Throughout the weekend, he taught classes, workshops, and led an Astanga Mysore practice.  Jason is a wonderfully knowledgeable teacher from the Astanga tradition.  He is an old soul who sprinkles his teaching with the right amounts of food for thought, fun, and irreverence.  I was lucky to attend the Friday night sessions, which had a light and friendly vibe, like a group of friends getting together.

The evening started with a 90 minute Vinyasa practice.  The connection to his Astanga roots were clear with his alignment queues and attention to detail.  The packed room quickly warmed as the yogis devoured his mindfully sequenced class.  Images of an Etch-A-Sketch floated into my mind every time he queued caturanga to “clear the slate” before the next sequence.  The pace of the class was mindful with plenty of space to focus on the flow of the breath.

The class peaked at the challenging postures of Tittibhasana 2 and 3.  Part of the Astanga Intermediate series, Tittibhasana requires open hips, hamstrings, and shoulders.  Activation of all three major bandhas (jalandhara/throat, uddiyana/belly, and mula/root) knits the pose together and facilitates balance.  We came into Tittibhasana 2 by standing with legs slightly wider than hip distance, softening the knees, folding forward, tucking the shoulders behind the knees, clasping the hands at the low back, and straightening the legs.  Modifications were offered.  Once in Tittibhasana 2, we rocked gently from side to side, took a few steps forward and back for the third variation of the pose.  It was hard not to smile and giggle at the awkward nature of the pose.  I was certainly not alone.

The second half of the evening was discussion and exploration of pranayama.  Jason referenced prana as life or the physical body and chitta as the mind or consciousness.  He encouraged us to wake up to what is happening between the two.  Notice if “prana is pulling on chitta and vice versa”.  He noted that when the body is in challenge or distress, it can pull the mind in that direction, dragging it into challenge or distress.  For example, if you are stuck in traffic, have to use the restroom, and become very uncomfortable because of it, your mind might begin to swirl and agitate.  The prana pulls on the chitta, the body pulls the mind.  The opposite can happen as well.

As he spoke, the metaphor of a rope came to mind.  Imagine prana and chitta are on opposite ends.  Sometimes it’s a tug-of-war, where one or the other is dominating, bullying the other.  It’s our task as yogis to get the two to work together, to be cohesive, and to act as one.  Instead of pulling the rope, turning the rope rhythmically together.  When we eliminate the division and find that balance of the body and mind working together we create harmony and peace.  It’s a constant practice.

The remainder of the evening was spent with Jason guiding a seated pranayama practice.  Throughout the practice we were encouraged to observe, not judge what was happening as we practice.  Jason spoke about the natural fluctuation of emotion that happens with the inhale and exhale during breath practice.  Many times, the inhale brings about sensation or feeling of anxiety.  I noticed this especially during the four part inhale exercise.  At the top of the breath, with lungs to capacity, I did notice tension and tightness bubble up to my neck and face, entering my mind.  On the other half of the cycle, the exhale can bring about a sensation of depression.  These feelings can be counteracted.  The antidote to the anxiety of the inhale can be found in grounding, while the antidote to the depression of the exhale can be found in the lift of the heart.

All in all it was a great way to spend a Friday night.  It’s always a treat to be the student and I am blessed to have so many insightful teachers on my path.  It certainly makes it a more enjoyable journey.

Enjoy the Journey!

Suzanne

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You Are Here

28788761_sWhen it comes up that I teach yoga, there are typically two responses.

The first is “Do you know <insert yoga teacher here>?”  This is always a fun conversation starter and is indicative of the kula or community of yoga.  Like small towns, everybody seems to know everybody, many times first hand, but usually within one or two degrees of separation.

The second response I get is, “I can’t do yoga, I’m not flexible”.  With this response,  excuses start to drop like bricks, building an unnecessary, self-imposed, wall of requirement and prerequisite.

Here’s the beautiful thing about yoga, the practice will meet you where you are on a daily basis.  The practice meets us without requirement or expectation which allows us to do the same.  Eventually, we make our whole selves available for practice and learn to take the practice as it comes.

In time, inflexibility becomes flexiblity of the body AND the mind.  Physical inflexibility is really not a requirement, this concern can be addressed by using props and modifying poses.  Many yogis will expand their view and discover that practice is not just the physical postures.  Other facets of yoga like pranayama and meditation don’t require physical flexibility at all.

So, the next time you practice yoga, post a mental, “I am here” sign.  You will find there are no requirements or prerequisites, you are exactly where you need to be.  Breaking down the imaginary wall of requirement will open up endless possiblities for your practice.

Enjoy the Journey!

Suzanne

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Cartwheel Assignment

Cartwheel

Recently, in my Power class, I gave everyone an assignment – find a nice grassy or soft patch outside and do at least 5 cartwheels (better yet, 5 on each side).

We do a lot of inversions and arm balances in Power and cartwheels are just the thing to get your primed and ready.

  • Cartwheels help you learn to bear your body weight on  your hands.
  • They give you the short sensation of a full inversion.
  • Cartwheels require you to engage your whole body, full of reaching energy.
  • They’re fun.  It’s really hard to scowl or frown when you are cartwheeling.  Fun is a great counter to fear.

Ready to cartwheel, or at least give it a try?  Stand with your body in a big “X”.  Imagine that your shoulders and hips are parallel to an imaginary wall.  Point your front foot in the direction you are going.  With long side bodies, reach hands to the ground, your fingers will point away from the imaginary wall.  Hands will be spread open and strong.  Simultaneously, bend into your standing leg and reach your back leg, then standing leg long, and hurl them over head.  Eventually, you will land with your feet on the same plane as your hands, with your shoulders and hips still parallel to the imaginary wall.  As you begin to move, think “hand, hand, foot, foot” or “right, left, right, left”.

The perfect cartwheel isn’t really important.  The joyful therapy of the movement is what’s important.  Bear your weight for a fraction of time, feel your hands and feet rooted strongly to the earth, smile and find the joy!

Enjoy the Journey!

Suzanne

May your mind whirl joyful cartwheels of creativity.
May your heart sing sweet lullabies of timelessness.
May your essence be the nectar of the open blossom of your joy.
May your spirit soar throughout the vast cathedral of your being.
– Jonathan Lockwood Huie